There are very few perfect beginnings to a story. Beginnings which move through images at the same rate as they move through text, rolling into a plot detectibly, sensibly, unhurriedly. A boy, for example, making the rounds on his bicycle, delivering the daily papers:
…At Colonel and Mrs Easterbrook’s, he delivered The Times and the Daily Graphic. At Mrs Sweatenham’s he left The Times and The Daily Worker. At Miss Hingecliff’s and Miss Murgatroyd’s he left The Daily Telegraph and The News Chronicle. At Miss Blacklocke’s, he left The Telegraph, The Times and The Daily Mail. At all these houses, and indeed in practically every house in Chipping Cleghorn, he delivered every Friday, a copy of the North Benom News and The Chipping Cleghorn Gazette, known simply as The Gazette. Thus on Friday mornings, after a hurried glance at the headlines in the daily paper…. most of the inhabitants of Chipping Cleghorn eagerly opened the Gazette and plunged into the local news. After a cursory glance at correspondence, in which the passionate hates and feuds of rural life found full play, most of the subscribers then turned to the local column.
We can easily sketch in our mind a series of houses, in front of which stand assorted sizes of mailbox, and in which kitchens sit the inhabitants of this happy English village, eating their singular English breakfasts, reading the headlines, the correspondence, the local news, and then, more likely than not, the Classifieds, in which are published up to the minute or almost up to the minute ads, as relevant and localizable as Tweets.