Tag: Ireland

Scarlet Feather by Maeve Binchy read by Barbara Caruso

Maeve Binchy is the grand-mistress of the domestic imaginary: that hearty, busy, pretty  space where women make themselves primal. It is late Capitalism and the lumpen proletariat of Dublin are caterers, not cooks.   Katy is prole and caterer and the figure of a Dublin that caters to others, to Europe, to America, to Money. Spunky, sassy, no-nonsense ..Katy Scarlet is a full bodied, red-blooded Irishwoman with a disinclination to bow to class structures, and a desire to cater private parties to the eating population of Dublin.

Here is just one of a series of magical books about women in between old and new worlds. Read and re-read and recognize Maeve Binchy as treasure.

The Copper Beech by Maeve Binchy read by Barbara Caruso

A Bruegellian world of busy little people working very hard and magical children repeating absolutely useless gestures: marvellous Maeve Binchy.

Eddie’s dressmaker mother is surrounded by patterns and perpetually draped in some nearly finished garment as she sews and listens to the radio. “Let’s just agree that he didn’t keep his part of the bargain, he didn’t look after his wife and son, he doesn’t deserve our interest.” It is said that his father left in a spectacularly noisy manner: “there was nearly as much noise as the night Ted Barton was thrown out” and “it will be another case of Ted Barton, with the suitcase flung down the case after him”.

For his tenth birthday Eddie gets a game of blo football “because his mother had heard from the Dunns in the shop that it was what every child wanted this year and she had paid it off over 5 weeks”. Eddie plays it on the floor of his bedroom because the table downstairs is needed for the sewing machine, even though he “secretly thought it was silly and tiring,and that there was too much spit trying to blow a paper ball through paper tubes, it got chewy and soggy.” Eddie wonders about his father.

“That night Eddie wrote a letter to his father. He told about the day and the pressed flowers…he told his father that there was a big wedding in the next town, and that his mother had been asked to do not only the bride’s dress but the two bridesmaids and the mother and the aunt of the bride as well….And that his mother said it came just in the nick of time because something needed to be done to the roof and there wasn’t enough money to pay for it. Then he read that last bit again and wondered would his father would think it was a complaint… He didn’t want to annoy him now that he had just found him. With a jolt Eddie realized that he hadn’t found his father. He was only making it up…. He crossed out the bit about the roof costing money and left in the good news about the wedding dresses… He thought that maybe his father might be in England. Wouldn’t it be marvellous if he met him by accident over there in a good job with prospects?…

Eddie writes his father often that year: about Bernard Shaw, who just died, and who his teacher told him was a great writer but had been a bit against the church, and asks him why someone would be against the church.

His father didn’t answer of course because the letters were never sent. There was no where to send them to.

Calibre by Ken Bruen read by Gerard Doyle

He’d read up on noir and called it Nora.

Jim Thompson’s The Killer Inside Me hard boils the story from the start: London as the small bad city with its own 87th precinct: Brant, who cuts a bit off the top of every drug bust, makes himself loved by women, plays laid back surfer dude cop but functions as the magus and manipulates everybody’s fate; Macdonald: the aged bully with the mean little soul and the overblown self-estimate; Porter Nash: the gay cop; W.P.C. Falls the bitch black psychopathic girlcop with the knuckle dusters in her purse; P.C. Lane: tall and lanky nerd cop who carries an umbrella and wears an “expression of friendliness, the very worst thing for a cop,”; Chief Inspector Roberts & more.
A silly accountant whose whore lives across the street decides to play Miss Manners with an edge, and finds he enjoys killing people who behave badly in public.

Slick with references that both emulate and parody the grittiest American fiction (Robert B. Parker, Karin Fossom, Ed McBain, Andrew Vachss, Elmore Leonard, Newton Thornberg, Mankell, Willeford, Joe Lansdale); this text is black with humor (“He’d read up on noir and called it Nora.”) and gorgeous with distemporal language (The drinks came and he hoped she wouldn’t say Bottoms Up. “Bottoms up” she said.”) Read it and smirk.