The Man Who Owns the News: Inside the Secret World of Rupert Murdoch by Michael Wolff read by Paul Boehmer

“The thing you have to understand and understanding this explains so much about Murdoch’s success is that happy newspaper families are alike and unhappy newspaper families are, well, quite alike too: in the end they all lose their papers. As cautionary tales go you could hardly find a more hothouse example of families gone awry, of genetic dumbing down, of the effect of idiot-son primogenitor, and of the despairing results of idle hands than newspaper families…The Bancrofts are ridiculous.”

The use and abuse of genealogy as evidenced in old world newspaper families told fetchingly, by a bitchy, fact-loving gossip.

Wolff reads Murdoch against his century, against his country, against his father and delivers a kind of King Solomon saga, with the years of degeneration yet to come….

A Drop of the Hard Stuff by Lawrence Block read by Tom Stechschulte

“Don’t make any major changes in the first year” … they say at AA. Matt Scudder has five or six weeks not to decide what he’s going to do about Jan, a girl he sees Saturday night and Sunday morning …

“Some people say not to make any major changes for the first five years… or even ten,” Jim, a fellow AA member, tells him.

After a meeting at St. Claire’s Hospital they walk home and Jim says:

“Something Buddha said as it happens: it is your dissatisfaction with what is that is the source of all your unhappiness..”

I said: “Buddha said that?”

“So I’m told, though I have to admit I wasn’t there to hear him. You seem surprised.”

“Well,” I said, “I never thought he had that much depth to him.”

“Buddha.”

“That’s what everybody calls him, and what he calls himself as far as that goes. Big guy. Must stand 6′ 6 . Shaves his head. Belly out to here. He’s a regular at the midnight meeting at the Moravian Church but he turns up other places as well. I think he’s a former outlaw biker and my guess is he’s done time but…”

The look on his face stopped me.

He said: “the Buddha. Sitting under the Bodhi tree, waiting for enlightenment.”

“Listen, it was a natural mistake. The only Buddha I know works at the Moravian Church.”

Making amends is step 8 of the 12 step program, and Jack Ellery is making amends when he ends up dead. His gay, persnickety, over-responsible sponsor has Jack’s list of amendees. He tells Matt Scudder that maybe he should “look into” whether somebody on the list is a killer. Matt Scudder does.

Dry, sidewalk humor full of alcohol and hotel rooms and pre-digital middle aged uncoupled city men. But also, that wry twist of fate that takes Order and Organization and runs over it.

This time, the Order is the Big Book and its steps: specifically step 8. How rules make themselves flesh, and how that flesh moves it’s rules around life and institutes life in their image.

Lawrence Block, The Specialists, read by Fred Sullivan

A hotel room. Vegas. A whore, with a gun at her forehead and a cock in her mouth. They told her downstairs that the guy was important, a banker. And that’s what she tells her friend when she gets home. Her friend is Colonel Eddie Manso, who has always known that you’ve got to draw a line. On one side of the line is good, and on the other is evil. Written in 1969, and evil looks exactly the same: a bunch of Wall Street types who spend months persuading people away from their money, a crook with a bank at his disposal, thugs in suits who rob banks and collect the insurance. Investors, loansharks, bankers, thieves.

And then there are the good guys. Veterans, educated in and by Vietnam. Still on duty, sort of.

The Ex-Debutante by Linda Frances Lee read by Susan Bennett

The smart daughter of a beautiful mother comes back to her “godforsaken sheep-happy hillbilly town” to handle her mother’s fourth or fifth divorce, and finds herself staging the annual Debutante Ball. “Don’t the pilgrims make skin cream?,” her mother asks her before mentioning how hard she has worked on maintaining her own natural beauty.
Miss Carlyle Ridgely, daughter of the Daughters of Texas, assembles 7 indelicate but moneyed 17 year olds, definitely not Ridgely Wainwright Cushing Jamison Ladley Ogden Harper-approved material.

Mary Higgins Clark…

Here’s the recipe: a youngish, pretty-ish, orphaned wife in or near Manhattan; a deceptive, felonious, or sleepwalking husband; a repressed or forgotten family scene, and wealth. Large, plush estates in tony suburbs, classic co-ops on exclusive avenues, perfectly cut clothes and lawns, professionally designed apartments, luxurious offices, always seen as if by a dazzled outsider, a maid, a secretary, a clerk, a tradesman to a privileged class.

Somewhere, somehow, somebody is murdered, kidnapped, arrested, accused.

A crime develops by pulling at and pulling out the pins of identity: what happens if a person forgets what she has done? What happens when a person has no memories of a mother, a father? What happens when a person believes that she is married to a man who is not who he pretends to be? What happens when a person does not tell her husband about her past? What happens when a friend, a neighbor, a son, a sister, a priest, a doctor, a lawyer is untrustworthy? What happens when a child is removed from a mother, and a mother is removed from her child? What happens to a classy woman when she is removed from her class?

Calibre by Ken Bruen read by Gerard Doyle

He’d read up on noir and called it Nora.

Jim Thompson’s The Killer Inside Me hard boils the story from the start: London as the small bad city with its own 87th precinct: Brant, who cuts a bit off the top of every drug bust, makes himself loved by women, plays laid back surfer dude cop but functions as the magus and manipulates everybody’s fate; Macdonald: the aged bully with the mean little soul and the overblown self-estimate; Porter Nash: the gay cop; W.P.C. Falls the bitch black psychopathic girlcop with the knuckle dusters in her purse; P.C. Lane: tall and lanky nerd cop who carries an umbrella and wears an “expression of friendliness, the very worst thing for a cop,”; Chief Inspector Roberts & more.
A silly accountant whose whore lives across the street decides to play Miss Manners with an edge, and finds he enjoys killing people who behave badly in public.

Slick with references that both emulate and parody the grittiest American fiction (Robert B. Parker, Karin Fossom, Ed McBain, Andrew Vachss, Elmore Leonard, Newton Thornberg, Mankell, Willeford, Joe Lansdale); this text is black with humor (“He’d read up on noir and called it Nora.”) and gorgeous with distemporal language (The drinks came and he hoped she wouldn’t say Bottoms Up. “Bottoms up” she said.”) Read it and smirk.

Started Early Took My Dog by Kate Atkinson read by Graeme Malcolm

Jackson slugs a bully and saves a small dog. Hence Jackson, ex military man, ex husband (twice), having been familiar with violence his whole life has now finally found a good use for it. Now on the other side of the law, but otherwise non-localizable: “when he stayed at a hotel, he knew who he was. A guest.”

Tracy is big, post-menopausal, plain, and so indistinct that qualifiers float over the surface of her identity, like flat swabs of paint on a blank canvas.

At school Tracy had always been wary of the domestic science crowd – methodical girls with neat handwriting and neither flaws nor eccentricities. For some reason they were usually good at netball as well, as if the gene that enabled them to jump for the hoop contained the information necessary for turning out a cheese-and-onion flan or creaming a Victoria sponge-sandwich mix.

After she pays $3000 for a small child being dragged around by a street-mother, Tracy buys the kid cotton clothes and uses thought to re-organize her life from the point of view of a small girl.

Two characters in an England out of time, make a decision that makes no sense, and thereby changes the sense of life and everything in it. Two characters that grip us by the throat, and leave us breathless, waiting for the real inside the fiction.

I Remember Nothing by Nora Ephron read by Nora Ephron

Although I didn’t see her face, I knew that the woman in the coloring chair was beautiful. It wasn’t just because she had long, lush, gorgeous hair, but because she was tearing out a page of WWD, where she had eyed another beautiful woman with long hair. And beautiful women look at beautiful women.

“Can I see?” I asked. And then she turned in the chair and I saw a Vogue model, circa 1976, sans huge hat and cigarette holder. But she was still beautiful, sitting there having her hair colored and pointing to the woman in the ad with the big sunglasses and the thick brown hair, saying: “that’s not Jackie Kennedy but it looks like Jackie Kennedy. I’ve always loved that look.”

And then she told me that not only was Jackie Kennedy beautiful but she was a nice person. She knew this because she sat across from Jackie Kennedy’s chair at Kenneth’s in the city, which is where Jackie had her hair done when Jackie had her hair done. The beautiful woman in the coloring chair had worked for Glamour and Vogue for 25 years, and if we were still in NYC and one of us had been Nora Ephron then one of us might have discovered that her husband was having an affair…. But we neither of us were Nora, and this was not NY, and Jackie was dead.

Nora Ephron is writing about just this generation of women, who lived and worked and counted in NYC, and who are now oldish, or dead. Nora Ephron is not dead. But she is forgetting things, and what she remembers is not obvious. She remembers going to an anti-Vietnam protest but not getting to it because she spent the weekend in the hotel room having sex, she remembers trying to find the New York Post building, and getting lost on the George Washington Bridge, and not deciding to get a divorce, and not going to the front during the 1973 war in Israel, and not knowing anything, and believing in print. She remembers consciousness-raising meetings in the 60s and 70s with women who took themselves much too seriously, and she remembers writing scripts that she thought were funny that weren’t funny enough.

I Still Dream About You by Fannie Flagg read by Fannie Flagg

A sweet, adorable, clever story about a beautiful and beautifully mannered ex Miss Alabama who has decided to jump in the river. Maggie has made a list of pros and cons and the pros have won out. For months, Maggie makes preparations for the day. She has donated all her clothes and jewelry to the local theatre, arranged to have flowers delivered to the graves of her parents for the next 25 years, written a letter  to her  cleaning lady with $500 and her gold watch, closed her bank account and given away the money to charities, cleaned and shined her leased car and her rented  apartment, and left her old tiara and baton to an old friend of her mothers who worked at the local department store and always called her up when there were sales. But in the cab on the way to the river where she’s hidden away weights and a raft, she is  commissioned to sell her favorite house in the world, Crestview. For the sake of the beautiful old house, and for the sake of the small happy firm to which she is devoted, Maggie feels she must put off the big day. She comes back home, whites out the date on the ‘To Whom It May Concern Letter’ she has left in her kitchen, and gets to work.

Jan Karon: The Mitford Series

Read this series by Jan Karon about a diabetic Episcopalian rector in a small town in North Carolina whose fat happy female parishioners cant stop baking him pies cakes and cookies. Very very funny scenes with neglected husbands eating unthawed church sale  cakes the minute their wives aren’t looking, a big dog who settles down only upon hearing Scripture,  a bossy secretary with a drawer full of Little Debbies, a perky wife-artist who likes to move the furniture around, and a parish full of souls in need of interference…