The voice is everything. Instead of the typical pomposity of a haughty OBE accent, spouting that mixture of bad faith, betrayal, and malice so characteristic of the displaced British upper class, we have a whisper, a tempered, middle brow tone telling a tale about a slightly fat slightly alcoholic Nottingham housewife who falls in love with the burglar who robs her house. The robbery is problematic. Gone is the stash of Coke her failed director-husband was holding for a slightly murderous slightly psychopathic drug thug. The housewife and the thief meet, fuck, and renegotiate the stolen goods. Inspector Charles Resnick, divorced, badly dressed, with bad table manners, figures it out — kind of — but still somehow does the wrong thing. BRILLIANT.
“Grabianski didn’t know…He felt about music what his partners felt about birds. Large ones and small ones. With music it was small ones and fast ones.”