Despite the silly title that announces the ‘coziness’ of this mystery and tags it as irreal, uncruel and bloodless, there is some ‘spur’ to this tale. Not enough to kick into a plot, but some.
First, there are characters: a dead cryptographer father, a glassblower-daughter, a local kid with Aspergers, a lazy police detective, a bunch of sweet and nasty neighbors who only want the land, or the money..
Then, there is St. Pete. The left coast of Florida, on a hurricane-loving gulf, among some old and interesting leftovers of something like the South…
And there is the semi technical charm of making glass, cutting glass, glazing it, blowing it…
Grainger has a way of ‘teasing out’ the most annoying characteristics of altogether too familiar personality types (aka ‘too old intransigent & traditional to live’, ‘career girl with delayed children’, ‘bureaucratic ox’, ‘resentful government serf’, ‘the thug who will not die’, ‘the devotedly inattentive son’…) and presenting them in living glory under a perfectly charming Cornish sun.
As in the Charlie Gallagher books where threats to family are used to manipulate police and criminals alike, Lane tells the story of a detective’s oldish mother, some thugs who want to punish her, and the inscrutable neighbor that comes for a visit just as trouble begins.
This is not so much about Cops and Their Mothers but rather about Two Women of Different Ages, and what they become when confronted by an odd and evil circumstance…
Outstanding crime novel read by Gildart Jackson, who knows how to make the dry under-humor of the British crisp and delicious to the American ear. Gildart Jackson is the narrator of the Peter Grainger novels, and his voice will forever resonate with the organizational misanthrope DC Smith.
This second in the “Allison Campbell Mystery” series is disappointing. It would have been nice to come back to a different kind of detecting woman — a woman whose job it is to detect — and re-configure — a social image. The image of a person is of course a mysterious thing – what makes a person resonate success or wealth or credibility? How is it possible to create or re-create such an image? So promised Killer Image, the first Allison Campbell installment, where we were introduced to a divorced, independent and slightly peculiar professional who is paid to perform character make-overs. The subject of the first job was a politician’s unruly daughter. Yes she was also accused of a crime. Yes, there were suspects: twisted and corrupt. Yet somehow, Allison Campbell of Main Line Philadelphia resonated singularity. She wasn’t a detective. She wasn’t a cop. She wasn’t a little old lady.
The second installment is indeed disappointing because it is confused, confusing and formulaic. There are clients. They are suspicious. Their families are suspicious. There is a search for the truth, then a search for lost clients, against an over-resonance of overchewed, overused relationship problems. Really. You have an ex? You still love him? You’re not sure? Your ex-mother in law is sleeping with your business partner? Why am I reading this book?
At this point the suspense is effectively over. And the book might as well be.
After much too much silly shitty giggly girly fiction, this clever, sharp, unpredictable novel about a small town female Sheriff who meets a man at a Quantico training course is a delight. The dialogue between the coupling law enforcement agents is witty, original, delicious; the supporting characters are curious and unpredictable, the clean story line is etched out like an Ed McBain procedural. Spare, lean action. Fast, frank language. No coincidences.
Ex-police chief and widow returns to her home town to help her daughter recover from a divorce and gets messily involved in a murder. Mildly uninteresting.
Private eye with basic grammar skills looks for two kidnapped girls in small town, and gets cozy with the Sheriff’s son.
Jealous, child-bearing women live and love.
A decorator who wants to sell antiques on Long Island finds a dead body will doing an inventory for a wealthy woman. Not really about decorating and not really a mystery.
Charlotte, a romance writer who has recently broken her engagement to an unfaithful beau, moves to a small town and makes friends with her neighbors and the local pastor. Very pleasantly narrated by Crystal Sershen. Story well written but a little slow.