Mary Higgins Clark…

Here’s the recipe: a youngish, pretty-ish, orphaned wife in or near Manhattan; a deceptive, felonious, or sleepwalking husband; a repressed or forgotten family scene, and wealth. Large, plush estates in tony suburbs, classic co-ops on exclusive avenues, perfectly cut clothes and lawns, professionally designed apartments, luxurious offices, always seen as if by a dazzled outsider, a maid, a secretary, a clerk, a tradesman to a privileged class.

Somewhere, somehow, somebody is murdered, kidnapped, arrested, accused.

A crime develops by pulling at and pulling out the pins of identity: what happens if a person forgets what she has done? What happens when a person has no memories of a mother, a father? What happens when a person believes that she is married to a man who is not who he pretends to be? What happens when a person does not tell her husband about her past? What happens when a friend, a neighbor, a son, a sister, a priest, a doctor, a lawyer is untrustworthy? What happens when a child is removed from a mother, and a mother is removed from her child? What happens to a classy woman when she is removed from her class?